Literary criticism, like every specialized subject, has its own vocabulary or “jargon.” Even for non-specialists, sometimes it’s very helpful to have precise ways to talk about literary form or devices. This kind of terminology is especially valuable for recognizing and appreciating a writer’s craft: for understanding how a novel is built, how it achieves the effects we feel when we read it.
Useful terms
Here are a few terms that I think could be useful for talking about Middlemarch, with brief explanations. You don’t have to use this specialized vocabulary to analyze the book, of course, but it’s such a smart, complex, and well-crafted novel that you may want to! You can find a lot more in the online sources I’ve linked to. Be careful not to turn into Mr. Casaubon, though!
allusion: an implicit or explicit reference to something else, such as another literary text or a historical character or event (usually serves to make connections or add layers to our interpretation)
characterization: the ways information about a character is conveyed (through description, for instance, or dialogue, or action)
dramatic irony: when we as readers or audience know more about a situation than the characters (often contributes to suspense)
epic: a long poem in an elevated style treating a serious subject, usually focusing on a noble, heroic character
exposition: information presented directly by the narrator, often background or context
flashback: a movement back in time to a scene prior to the novel’s present
free indirect discourse: a mode of narration in which the narrator’s voice merges with a character’s point of view (both Jane Austen and George Eliot use this technique a lot – the lack of overt signals that we aren’t getting the narrator’s point of view makes it important to pay thoughtful attention to tone and diction)
irony: saying one thing but meaning its opposite
metaphor: an implicit comparison of one thing to another (when the comparison is explicit, as in “my love is like a red, red rose,” it is a simile)
pathetic fallacy: the reflection of internal feelings in external objects or circumstances (such as a thunderstorm that suggests characters’ turbulent emotions)
point of view: the perspective from which a story or scene is seen or told
prolepsis: a look forward, to events after the novel’s present (also flashforward)
symbol: something that stands for something else (symbols can be conventional – widely recognized, as in a heart for love or a dove for peace – or contextual – taking on significance from a particular context)
theme: the underlying meaning or idea of a novel, beyond its literal subject
Online Literary Dictionaries
Oxford Dictionary of Literary Terms (Oxford Reference)
Literature Glossary (McGraw-Hill)
MIDDLEMARCH for Book Clubs 
One thought on “Glossary of Literary Terms”